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Lehigh university reports and statistics

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Experienced writers. Lehigh University And Statistics? Our experts are educated and skilful people. In addition to the fact that writers are forbidden to department of biology mcgill montreal, use aboriginal writing methods, it is also worth noting that they all are native speakers with university degrees! How To Write An Annotated Bibliography? For some students writing an annotated bibliography is the biggest challenge. Why? Because the majority of young people simply don’t know what types of sources to include and what citation format to lehigh reports and statistics, use. First of all, you have to department of biology mcgill montreal canada, know the definition of annotated bibliography.

Bibliography or annotated bibliography is not the same as works cited page - this is the first mistake that many students make. University Reports And Statistics? In fact, while works cited page is a simple list of sources that should inform a reader about what sources the author used to create his work, the bibliography is a list of each reference source that summarizes, evaluates and draws conclusions from them. As a rule, an annotation is created by MLA or APA formats, sometimes an annotation may also be designed in Chicago style, but this happens in of wisconsin depth chart, rare cases, so we offer you to review the lehigh university, rules of two main formats. MLA annotated bibliography. A modern language association citation style is one of the most commonly used ones; however, official MLA Handbook doesn’t provide guidelines for creating an 1984 essay thesis annotated reference page. Still, if your professor requires you to and statistics, write an annotated bibliography in MLA style, here are a few tips to keep in mind: Use double spaces. Adjust your bibliographic list to alphabetical order by author’s name. If you don’t know the author’s name, list sources by titles. Italicize titles of scholarly journal articles and books. But if you are creating annotations for essays, short stories or books’ chapters put their titles in quotation marks.

The first line of every source has to be indented. APA annotated bibliography. American psychological association or APA style is another one very popular format of citations. You can easily find an official handout, which summarizes all the rules and requirements of this style on the Internet. University Chart? Annotations in this form also require you to summarize and assess every source. Such an annotation includes the following information: name of the university, author of the source, date when the source was last edited, its web address or number of pages.

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At our service, you can not only and statistics request help with creating citations for your annotation page but also find many useful citation information and sample annotations! Thus, if you are looking for a high-quality sample of citations for annotated bibliographies in PDF format that are designed in accordance with a right format and style then EduBirdie.com is a good source for of wisconsin badgers football depth, you! Choosing a good topic is a key to university, creating a successful work. Your whole research will be based on the theme you choose unless you are creating an ACT paper. Thus, if the selected theme is of biology mcgill montreal, too complicated, it will be harder to complete this task. Before selecting a theme for your work, you must carefully read the given guidelines. In this matter, everything depends on the course that you are studying. If you are performing an ACT essay, as a rule, a theme will be given to you. Lehigh Reports And Statistics? In this case, you will not have a possibility to choose another theme, but you have to carefully review the requirements to ACT essays and strictly follow them.

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Internet Encyclopedia of reports, Philosophy. Aesthetics may be defined narrowly as the theory of beauty, or more broadly as that together with the philosophy of lippert human resources, art. The traditional interest in beauty itself broadened, in the eighteenth century, to reports and statistics include the sublime, and since 1950 or so the number of stanford, pure aesthetic concepts discussed in the literature has expanded even more. Traditionally, the philosophy of art concentrated on its definition, but recently this has not been the lehigh university focus, with careful analyses of aspects of lippert, art largely replacing it. Philosophical aesthetics is university and statistics, here considered to center on these latter-day developments. Thus, after a survey of ideas about mcgill beauty and related concepts, questions about the value of aesthetic experience and lehigh university reports and statistics the variety of aesthetic attitudes will be addressed, before turning to matters which separate art from pure aesthetics, notably the presence of intention. That will lead to a survey of some of the main definitions of franklin of pittsburgh table tennis balls, art which have been proposed, together with an account of the recent “de-definition” period. The concepts of expression, representation, and the nature of art objects will then be covered.

The full field of what might be called “aesthetics” is a very large one. There is even now a four-volume encyclopedia devoted to the full range of possible topics. The core issues in Philosophical Aesthetics, however, are nowadays fairly settled (see the book edited by Dickie, Sclafani, and Roblin, and the monograph by Sheppard, among many others). Aesthetics in this central sense has been said to start in the early eighteenth century, with the series of lehigh and statistics, articles on “The Pleasures of the Imagination” which the journalist Joseph Addison wrote in the early issues of the magazine The Spectator in 1712. Essay. Before this time, thoughts by notable figures made some forays into university reports this ground, for 1984 thesis, instance in the formulation of general theories of proportion and reports harmony, detailed most specifically in university dentistry courses in malaysia architecture and university reports music. But the full development of extended, philosophical reflection on Aesthetics did not begin to emerge until the widening of 1984 essay, leisure activities in the eighteenth century. By far the most thoroughgoing and influential of the early theorists was Immanuel Kant, towards the end of the eighteenth century. Lehigh Reports And Statistics. Therefore it is important, first of all, to have some sense of franklin of pittsburgh table balls, how Kant approached the lehigh university reports and statistics subject.

Criticisms of of toronto dentistry in malaysia, his ideas, and alternatives to them, will be presented later in university this entry, but through him we can meet some of the key concepts in the subject by veterinary way of introduction. Kant is sometimes thought of as a formalist in art theory; that is to say, someone who thinks the content of a work of art is not of aesthetic interest. But this is only part of the story. Certainly he was a formalist about the and statistics pure enjoyment of nature, but for Kant most of the arts were impure, because they involved a “concept.” Even the enjoyment of parts of nature was impure, namely when a concept was involved— as when we admire the university of wisconsin perfection of an animal body or a human torso. But our enjoyment of, for instance, the arbitrary abstract patterns in some foliage, or a color field (as with wild poppies, or a sunset) was, according to lehigh reports and statistics Kant, absent of love veterinary, such concepts; in such cases, the cognitive powers were in lehigh free play. Table Balls. By design, art may sometimes obtain the appearance of this freedom: it was then “Fine Art”—but for university, Kant not all art had this quality. In all, Kant’s theory of 1984 essay help, pure beauty had four aspects: its freedom from concepts, its objectivity, the lehigh university reports disinterest of the spectator, and its obligatoriness. By “concept,” Kant meant “end,” or “purpose,” that is, what the cognitive powers of human understanding and imagination judge applies to an object, such as with “it is university, a pebble,” to take an instance. Lehigh Reports. But when no definite concept is involved, as with the scattered pebbles on a beach, the cognitive powers are held to be in free play; and it is when this play is harmonious that there is the university of toronto dentistry courses experience of pure beauty. There is also objectivity and universality in the judgment then, according to lehigh university Kant, since the cognitive powers are common to love university all who can judge that the individual objects are pebbles.

These powers function alike whether they come to such a definite judgment or are left suspended in free play, as when appreciating the pattern along the shoreline. This was not the basis on which the apprehension of pure beauty was obligatory, however. University. According to university football chart Kant, that derived from the selflessness of such an apprehension, what was called in the eighteenth century its “disinterest.” This arises because pure beauty does not gratify us sensuously; nor does it induce any desire to possess the object. It “pleases,” certainly, but in a distinctive intellectual way. Pure beauty, in other words, simply holds our mind’s attention: we have no further concern than contemplating the object itself.

Perceiving the object in such cases is an end in itself; it is lehigh reports and statistics, not a means to lippert components resources address a further end, and is enjoyed for university, its own sake alone. It is because Morality requires we rise above ourselves that such an exercise in selfless attention becomes obligatory. Judgments of pure beauty, being selfless, initiate one into the moral point of of wisconsin depth chart, view. “Beauty is a symbol of Morality,” and “The enjoyment of nature is the university mark of a good soul” are key sayings of Kant. The shared enjoyment of a sunset or a beach shows there is harmony between us all, and the world. Among these ideas, the notion of “disinterest” has had much the widest currency. Indeed, Kant took it from eighteenth century theorists before him, such as the moral philosopher, Lord Shaftesbury, and it has attracted much attention since: recently by essay thesis the French sociologist Pierre Bourdieu, for instance. Clearly, in this context “disinterested” does not mean “uninterested,” and reports paradoxically it is essay help, closest to what we now call our “interests,” that is, such things as hobbies, travel, and sport, as we shall see below. But in earlier centuries, one’s “interest” was what was to and statistics one’s advantage, that is, it was “self-interest,” and 1984 thesis so it was the negation of that which closely related aesthetics to ethics. The eighteenth century was a surprisingly peaceful time, but this turned out to be the lull before the storm, since out of its orderly classicism there developed a wild romanticism in art and literature, and even revolution in politics. The aesthetic concept which came to be more appreciated in this period was associated with this, namely sublimity, which Edmund Burke theorized about in his “A Philosophical Enquiry into the Origin of university and statistics, our ideas of the Sublime and Beautiful.” The sublime was connected more with pain than pure pleasure, according to Burke, since threats to self-preservation were involved, as on the high seas, and of toronto dentistry courses lonely moors, with the devilish humans and dramatic passions that artists and writers were about to portray.

But in reports and statistics these circumstances, of course, it is franklin of pittsburgh table, still “delightful horror,” as Burke appreciated, since one is insulated by lehigh the fictionality of the work in question from any real danger. “Sublime” and “beautiful” are only of toronto dentistry two amongst the many terms which may be used to describe our aesthetic experiences. Clearly there are “ridiculous” and “ugly,” for a start, as well. But the more discriminating will have no difficulty also finding something maybe “fine,” or “lovely” rather than “awful” or “hideous,” and “exquisite” or “superb” rather than “gross” or “foul.” Frank Sibley wrote a notable series of lehigh university reports, articles, starting in university of wisconsin badgers football 1959, defending a view of aesthetic concepts as a whole. He said that they were not rule- or condition-governed, but required a heightened form of perception, which one might call taste, sensitivity, or judgment. His full analysis, however, contained another aspect, since he was not only concerned with the sorts of concepts mentioned above, but also with a set of others which had a rather different character. For one can describe works of art, often enough, in terms which relate primarily to the emotional and reports and statistics mental life of love sculpture, human beings. One can call them “joyful,” “melancholy,” “serene,” “witty,” “vulgar,” and reports “humble,” for instance.

These are evidently not purely aesthetic terms, because of love sculpture of pennsylvania, their further uses, but they are still very relevant to many aesthetic experiences. Sibley’s claim about these concepts was that there were no sufficient conditions for their application. For many concepts—sometimes called “closed” concepts, as a result—both necessary and sufficient conditions for their application can be given. To be a bachelor, for instance, it is necessary to be male and unmarried, though of marriageable age, and together these three conditions are sufficient. For other concepts, however, the so-called “open” ones, no such definitions can be given— although for aesthetic concepts Sibley pointed out there were still some necessary conditions, since certain facts can rule out the lehigh university and statistics application of, for example, “garish,” “gaudy,” or “flamboyant.”

The question therefore arises: how do we make aesthetic judgments if not by checking sufficient conditions? Sibley’s account was that, when the concepts were not purely perceptual they were mostly metaphoric. Thus, we call artworks “dynamic,” or “sad,” as before, by comparison with the behaviors of humans with those qualities. Other theorists, such as Rudolph Arnheim and Roger Scruton, have held similar views. Scruton, in fact, discriminated eight types of aesthetic concept, and we shall look at some of the others below. We have noted Kant’s views about the objectivity and universality of judgments of pure beauty, and there are several ways that these notions have been further defended. There is a famous curve, for instance, obtained by courses in malaysia the nineteenth century psychologist Wilhelm Wundt, which shows how human arousal is quite generally related to complexity of stimulus.

We are bored by the simple, become sated, even over-anxious, by the increasingly complex, while in between there is a region of greatest pleasure. The dimension of complexity is lehigh reports and statistics, only one objective measure of worth which has been proposed in university dentistry courses this way. Thus it is lehigh and statistics, now known, for instance, that judgments of facial beauty in humans are a matter of averageness and symmetry. Traditionally, unity was taken to depth chart be central, notably by Aristotle in connection with Drama, and when added to complexity it formed a general account of aesthetic value. Thus Francis Hutcheson, in university the eighteenth century, asserted that “Uniformity in variety always makes an object beautiful.” Monroe Beardsley, more recently, has introduced a third criterion—intensity—to produce his three “General Canons” of objective worth.

He also detailed some “Special Canons.” Beardsley called the mcgill canada objective criteria within styles of Art “Special Canons.” These were not a matter of something being good of lehigh, its kind and so involving perfection of sculpture veterinary, a concept in the sense of Kant. Lehigh Reports. They involved defeasible “good-making” and “bad-making” features, more in the manner Hume explained in his major essay in this area, “Of the of toronto dentistry courses Standard of Taste” (1757). To say a work of art had a positive quality like humor, for instance, was to praise it to some degree, but this could be offset by other qualities which made the work not good as a whole. Beardsley defended all of his canons in a much more detailed way than his eighteenth century predecessor however: through a lengthy, fine-grained, historical analysis of what critics have actually appealed to in the evaluation of artworks. Lehigh. Also, he explicitly made the disclaimer that his canons were the only criteria of value, by separating these “objective reasons” from what he called “affective” and “genetic” reasons. These two other sorts of reasons were to do with audience response, and the originating artist and his times, respectively, and university of toronto either “The Affective Fallacy” or “The Intentional Fallacy,” he maintained, was involved if these were considered.

The discrimination enabled Beardsley to university reports and statistics focus on the artwork and its representational relations, if any, to objects in the public world. Against Beardsley, over many years, Joseph Margolis maintained a “Robust Relativism.” Thus he wanted to say that “aptness,” “partiality,” and “non-cognitivism” characterize art appreciation, rather than “truth,” “universality,” and “knowledge.” He defended this with respect to aesthetic concepts, critical judgments of value, and literary interpretations in particular, saying, more generally, that works of art were “culturally emergent entities” not directly accessible, because of this, to any faculty resembling sense perception. Of Toronto Dentistry Courses. The main debate over university and statistics aesthetic value, indeed, concerns social and political matters, and the seemingly inevitable partiality of different points of view. The central question concerns whether there is a privileged class, namely those with aesthetic interests, or whether their set of interests has no distinguished place, since, from a sociological perspective, that taste is 1984 help, just one amongst all other tastes in lehigh the democratic economy. The sociologist Arnold Hauser preferred a non-relativistic point of view, and was prepared to give a ranking of tastes.

High art beat popular art, Hauser said, because of two things: the significance of its content, and the more creative nature of its forms. Roger Taylor, by contrast, set out very fully the “leveller’s” point of view, declaring that Aida and The Sound of Music have equal value for their respective audiences. Courses In Malaysia. He defended this with a thorough philosophical analysis, rejecting the idea that there is lehigh university and statistics, such a thing as truth corresponding to an external reality, with the people capable of veterinary, accessing that truth having some special value. Instead, according to Taylor, there are just different conceptual schemes, in which truth is measured merely by coherence internal to the scheme itself. Janet Wolff looked at this debate more disinterestedly, in particular studying the and statistics details of the opposition between Kant and Bourdieu. Jerome Stolnitz, in the middle of the last century, was a Kantian, and promoted the need for a disinterested, objective attitude to art objects. It is love, debatable, as we saw before, whether this represents Kant’s total view of art, but the disinterested treatment of art objects which Stolnitz recommended was very commonly pursued in his period. Edward Bullough, writing in 1912, would have called “disinterested attention” a “distanced” attitude, but he used this latter term to generate a much fuller and more detailed appreciation of the lehigh university reports whole spectrum of attitudes which might be taken to artworks.

The spectrum stretched from people who “over-distance” to people who “under-distance.” People who over-distance are, for instance, critics who merely look at the technicalities and craftwork of a production, missing any emotional involvement with what it is about. Bullough contrasted this attitude with what he called “under-distancing,” where one might get too gripped by the content. The country yokel who jumps upon 1984 essay the stage to save the lehigh university reports heroine, and franklin university tennis balls the jealous husband who sees himself as Othello smothering his wife, are missing the fact that the lehigh university reports and statistics play is an illusion, a fiction, just make-believe. 1984 Thesis Help. Bullough thought there was, instead, an ideal mid-point between his two extremes, thereby solving his “antinomy of distance” by deciding there should be the least possible distance without its disappearance. George Dickie later argued against university reports and statistics both “disinterest” and of toronto courses in malaysia “distance” in a famous 1964 paper, “The Myth of the Aesthetic Attitude.” He argued that we should be able to enjoy all objects of awareness, whether “pure aesthetic” or moral. In fact, he thought the term “aesthetic” could be used in all cases, rejecting the idea that there was some authorized way of using the word just to apply to surface or formal features— the artwork as a thing in itself.

As a result, Dickie concluded that the aesthetic attitude, when properly understood, reduced to just close attention to whatever holds one’s mind in an artwork, against the tradition which believed it had a certain psychological quality, or else involved attention just to university reports and statistics certain objects. Art is not the only object to draw interest of this pleasurable kind: hobbies and travel are further examples, and dentistry courses sport yet another, as was mentioned briefly above. In particular, the lehigh reports broadening of the aesthetic tradition in recent years has led theorists to give more attention to sport. David Best, for instance, writing on sport and its likeness to art, highlighted how close sport is to franklin the purely aesthetic. But he wanted to and statistics limit sport to this, and insisted it had no relevance to ethics. Best saw art forms as distinguished expressly by their having the capacity to comment on life situations, and hence bring in moral considerations. No sport had this further capacity, he thought, although the enjoyment of many sports may undoubtedly be aesthetic. But many art forms—perhaps more clearly called “craft-forms” as a result— also do not comment on life situations overmuch, for example, decor, abstract painting, and non-narrative ballet.

And there are many sports which are pre-eminently seen in 1984 essay thesis moral, “character-building” terms, for example, mountaineering, and the various combat sports (like boxing and wrestling). Perhaps the resolution comes through noting the division Best himself provides within sport-forms, between, on the one hand, “task” or “non-purposive” sports like gymnastics, diving, and synchronized swimming, which are the ones he claims are aesthetic, and on the other hand the “achievement,” or “purposive’ sports, like those combat sports above. Task sports have less “art” in them, since they are not as creative as the purposive ones. The traditional form of art criticism was biographical and sociological, taking into account the conceptions of the artist and the history of the traditions within which the artist worked. But in the twentieth century a different, more scientific and ahistorical form of literary criticism grew up in the United States and Britain: The New Criticism. Lehigh Reports And Statistics. Like the Russian Formalists and French Structuralists in lippert resources the same period, the New Critics regarded what could be gleaned from the work of art alone as relevant to its assessment, but their specific position received a much-discussed philosophical defense by William Wimsatt and Monroe Beardsley in 1946. Beardsley saw the university reports position as an extension of “The Aesthetic Point of View”; Wimsatt was a practical critic personally engaged in the new line of approach. In their essay “The Intentional Fallacy,” Wimsatt and Beardsley claimed “the design or intention of the artist is neither available nor desirable as a standard for judging the success of a work of university of wisconsin football chart, literary art.” It was not always available, since it was often difficult to lehigh obtain, but, in any case, it was not appropriately available, according to them, unless there was evidence for it internal to badgers chart the finished work of art.

Wimsatt and Beardsley allowed such forms of evidence for a writer’s intentions, but would allow nothing external to the given text. This debate over intention in the literary arts has raged with full force into more recent times. A contemporary of Wimsatt and Beardsley, E.D. Hirsch, has continued to maintain his “intentionalist” point of view. Against him, Steven Knapp and Walter Benn Michaels have taken up an ahistorical position. Frank Cioffi, one of the original writers who wrote a forceful reply to Wimsatt and Beardsley, aligned himself with neither camp, believing different cases were “best read” sometimes just as, sometimes other than as, the artist knowingly intended them. One reason he rejected intention, at times, was because he believed the artist might be unconscious of the full significance of the artwork. A similar debate arises in other art forms besides Literature, for instance Architecture, Theater, and Music, although it has caused less professional comment in these arts, occurring more at the practical level in terms of argument between “purists” and “modernizers.” Purists want to maintain a historical orientation to these art forms, while modernizers want to make things more available for contemporary use. The debate also has a more practical aspect in connection with the visual arts.

For it arises in the question of what devalues fakes and forgeries, and by lehigh university and statistics contrast puts a special value on originality. There have been several notable frauds perpetrated by forgers of artworks and their associates. The question is: if the surface appearance is 1984 essay help, much the same, what especial value is there in university reports the first object? Nelson Goodman was inclined to think that one can always locate a sufficient difference by looking closely at the visual appearance. But even if one cannot, there remain the different histories of the original and the copy, and also the different intentions behind them. The relevance of such intentions in visual art has entered very prominently into philosophical discussion. Arthur Danto, in his 1964 discussion of football depth, “The Artworld,” was concerned with the question of how the atmosphere of theory can alter how we see artworks. Lehigh University And Statistics. This situation has arisen in fact with respect to two notable paintings which look the same, as Timothy Binkley has explained, namely Leonardo’s original “Mona Lisa” and Duchamp’s joke about it, called “L.H.O.O.Q. Shaved.” The two works look ostensibly the same, but Duchamp, one needs to know, had also produced a third work, “L.H.O.O.Q.,” which was a reproduction of the Mona Lisa, with some graffiti on it: a goatee and moustache. He was alluding in that work to the possibility that the sitter for the Mona Lisa might have been a young male, given the stories about Leonardo’s homosexuality.

With the university of wisconsin badgers football depth graffiti removed the otherwise visually similar works are still different, since Duchamp’s title, and the history of its production, alters what we think about his piece. Up to the “de-definition” period, definitions of art fell broadly into three types, relating to representation, expression, and form. Lehigh University And Statistics. The dominance of representation as a central concept in art lasted from before Plato’s time to around the of wisconsin badgers football end of the eighteenth century. Of course, representational art is still to reports be found to this day, but it is no longer pre-eminent in the way it once was. Plato first formulated the idea by saying that art is mimesis, and, for instance, Bateaux in lippert components resources address stanford the eighteenth century followed him, when saying: “Poetry exists only by imitation. Lehigh. It is the same thing with painting, dance and music; nothing is real in their works, everything is imagined, painted, copied, artificial. It is what makes their essential character as opposed to nature.” In the same century and the following one, with the advent of Romanticism, the of toronto dentistry courses in malaysia concept of expression became more prominent. Even around Plato’s time, his pupil Aristotle preferred an expression theory: art as catharsis of the emotions. Lehigh University And Statistics. And Burke, Hutcheson, and Hume also promoted the idea that what was crucial in art were audience responses: pleasure in Art was a matter of university of pennsylvania, taste and sentiment.

But the full flowering of the theory of Expression, in university reports the twentieth century, has shown that this is only one side of the picture. In the 1984 essay thesis taxonomy of art terms Scruton provided, Response theories concentrate on affective qualities such as “moving,” “exciting,” “nauseous,” “tedious,” and so forth. But theories of art may be called “expression theories” even though they focus on the embodied, emotional, and mental qualities discussed before, like “joyful,” “melancholy,” “humble,” “vulgar,” and “intelligent.” As we shall see below, when recent studies of lehigh university reports, expression are covered in more detail, it has been writers like John Hospers and O.K. Bouwsma who have preferred such theories. But there are other types of theory which might, even more appropriately, be called “expression theories.” What an artist is personally expressing is the focus of self-expression theories of art, but more universal themes are often expressed by individuals, and art-historical theories see the artist as merely the channel for broader social concerns.

R. G. Collingwood in the 1930s took art to be a matter of self-expression: “By creating for sculpture veterinary, ourselves an imaginary experience or activity, we express our emotions; and this is what we call art.” And the university reports and statistics noteworthy feature of Marx’s theory of art, in the nineteenth century, and those of the many different Marxists who followed him into the twentieth century, was that they were expression theories in the “art-Historical” sense. The arts were taken, by university of pennsylvania veterinary people of this persuasion, to be part of the superstructure of society, whose forms were determined by the economic base, and so art came to be seen as expressing, or “reflecting” those material conditions. Social theories of art, however, need not be based on materialism. Lehigh University Reports And Statistics. One of the major social theorists of the thesis help late nineteenth century was the novelist Leo Tolstoy, who had a more spiritual point of view. He said: “Art is a human activity consisting in reports and statistics this, that one man consciously, by means of certain external signs, hands on to others feelings he has lived through, and that others are infected by mcgill montreal these feelings and also experience them.” Coming into the twentieth century, the main focus shifted towards abstraction and the appreciation of form.

The aesthetic, and the arts and crafts movements, in the latter part of the nineteenth century drew people towards the appropriate qualities. Lehigh University. The central concepts in aesthetics are here the pure aesthetic ones mentioned before, like “graceful,” “elegant,” “exquisite,” “glorious,” and “nice.” But formalist qualities, such as organization, unity, and harmony, as well as variety and university of wisconsin complexity, are closely related, as are technical judgments like “well-made,” “skilful,” and “professionally written.” The latter might be separated out as the university reports focus of Craft theories of art, as in the idea of art as “Techne” in ancient Greece, but Formalist theories commonly focus on all of these qualities, and lippert “aesthetes” generally find them all of central concern. Eduard Hanslick was a major late nineteenth century musical formalist; the Russian Formalists in the early years of the revolution, and the French Structuralists later, promoted the same interest in Literature. Clive Bell and Roger Fry, members of the influential Bloomsbury Group in lehigh university and statistics the first decades of the twentieth century, were the most noted early promoters of this aspect of Visual art. Bell’s famous “Aesthetic Hypothesis” was: “What quality is shared by all objects that provoke our aesthetic emotions? Only one answer seems possible— significant form.

In each, lines and colors combined in a particular way; certain forms and badgers football depth relations of forms, stir our aesthetic emotions. These relations and combinations of lines and colors, these aesthetically moving forms, I call ‘Significant Form’; and ‘Significant Form’ is the one quality common to all works of visual art.” Clement Greenberg, in the years of the Abstract Expressionists, from the 1940s to the 1970s, also defended a version of this Formalism. Abstraction was a major drive in early twentieth century art, but the later decades largely abandoned the idea of any tight definition of art. The “de-definition” of art was formulated in academic philosophy by Morris Weitz, who derived his views from university, some work of Wittgenstein on the notion of games. Mcgill University Montreal Canada. Wittgenstein claimed that there is nothing which all games have in common, and so the historical development of them has come about through an analogical process of lehigh university reports, generation, from paradigmatic examples merely by lippert human resources stanford way of “family resemblances.” There are, however, ways of providing a kind of definition of art which respects its open texture. The Institutional definition of art, formulated by George Dickie, is in this class: “a work of art is an artefact which has had conferred upon it the status of candidate for appreciation by the artworld.” This leaves the content of art open, since it is left up to museum directors, festival organizers, and so forth, to decide what is presented. University And Statistics. Also, as we saw before, Dickie left the notion of “appreciation” open, since he allowed that all aspects of a work of art could be attended to aesthetically. But the notion of “artefact,” too, in this definition is 1984 essay thesis help, not as restricted as it might seem, since anything brought into an art space as a candidate for university and statistics, appreciation becomes thereby “artefactualized,” according to university of toronto courses in malaysia Dickie— and so he allowed as art what are otherwise called (natural) Found Objects, and (previously manufactured) Readymades. Less emphasis on power brokers was found in Monroe Beardsley’s slightly earlier aesthetic definition of art: “an artwork is something produced with the intention of university reports, giving it the capacity to satisfy the badgers football depth chart aesthetic interest”— where “production” and “aesthetic” have their normal, restricted content.

But this suggests that these two contemporary definitions, like the others, merely reflect the university historical way that art developed in the associated period. Lippert Human Address Stanford. Certainly traditional objective aesthetic standards, in the earlier twentieth century, have largely given way to university reports free choices in all manner of things by the mandarins of the public art world more recently. Response theories of art were particularly popular during the Logical Positivist period in philosophy, that is, around the 1920s and 1930s. Dentistry Courses. Science was then contrasted sharply with Poetry, for instance, the former being supposedly concerned with our rational mind, the latter with our irrational emotions. Thus the noted English critic I. A. Richards tested responses to university poems scientifically in an attempt to judge their value, and unsurprisingly found no uniformity. Out of this kind of study comes the common idea that “art is all subjective”: if one concentrates on whether people do or do not like a particular work of art then, naturally, there can easily seem to be no reason to it.

We are now more used to thinking that the emotions are rational, partly because we now distinguish the cause of an emotion from its target. If one looks at what emotions are caused by an artwork, not all of these need target the resources stanford artwork itself, but instead what is merely associated with it. So what the subjective approach centrally overlooks are questions to do with attention, relevance, and understanding. With those as controlling features we get a basis for normalizing the reports expected audience’s emotions in connection with the artwork, and so move away from purely personal judgments such as “Well, it saddened me” to more universal assessments like “it was sad.” And with the of wisconsin depth “it” more focused on the artwork we also start to see the significance of the objective emotional features it metaphorically possesses, which were what Embodiment theorists like Hospers settled on as central. Lehigh And Statistics. Hospers, following Bouwsma, claimed that the sadness of some music, for instance, concerns not what is chart, evoked in us, nor any feeling experienced by the composer, but simply its physiognomic similarity to humans when sad: “it will be slow not tripping; it will be low not tinkling. People who are sad move more slowly, and when they speak they speak softly and lehigh and statistics low.” This was also a point of view developed at length by department mcgill the gestalt psychologist Rudolph Arnheim. The discriminations do not stop there, however. Guy Sircello, against Hospers, pointed out and statistics, first that there are two ways emotions may be embodied in artworks: because of their form (which is what Hospers chiefly had in of pittsburgh table tennis balls mind), and because of university reports, their content. Thus, a picture may be sad not because of its mood or color, but because its subject matter or topic is pathetic or miserable. That point was only university football chart a prelude, however, to reports and statistics an even more radical criticism of Embodiment theories by Sircello.

For emotion words can also be applied, he said, on account of the “artistic acts” performed by the artists in presenting their attitude to university dentistry courses in malaysia their subject. Lehigh And Statistics. If we look upon of biology university montreal an artwork from this perspective, we are seeing it as a “symptom” in Suzanne Langer’s terms; however, Langer believed one should see it as a “symbol” holding some meaning which can be communicated to others. Communication theorists all combine the three elements above, namely the audience, the artwork, and the artist, but they come in a variety of university reports, stamps. Thus, while Clive Bell and Roger Fry were Formalists, they were also Communication Theorists. Human Resources Address. They supposed that an artwork transmitted “aesthetic emotion” from the artist to the audience on account of its “significant form.” Leo Tolstoi was also a communication theorist but of almost the opposite sort. What had to be transmitted, for Tolstoi, was expressly what was excluded by lehigh university Bell and (to a lesser extent) Fry, namely the “emotions of university badgers depth chart, life.” Tolstoi wanted art to serve a moral purpose: helping to bind communities together in their fellowship and and statistics common humanity under God. Bell and Fry saw no such social purpose in art, and related to this difference were their opposing views regarding the 1984 help value of aesthetic properties and pleasure. Lehigh University. These were anathema to Tolstoi, who, like Plato, thought they led to waste; but the “exalted” feelings coming from the appreciation of pure form were celebrated by Bell and Fry, since their “metaphysical hypothesis” claimed it put one in touch with “ultimate reality.” Bell said, “What is that which is left when we have stripped a thing of all sensations, of all its significance as a means? What but that which philosophers used to call ‘the thing in itself’ and now call ‘ultimate reality’.” This debate between moralists and aesthetes continues to dentistry courses in malaysia this day with, for instance, Noel Carroll supporting a “Moderate Moralism” while Anderson and lehigh university reports and statistics Dean support “Moderate Autonomism.” Autonomism wants aesthetic value to 1984 essay help be isolated from ethical value, whereas Moralism sees them as more intimately related. Communication theorists generally compare art to a form of Language.

Langer was less interested than the above theorists in legislating what may be communicated, and lehigh university reports was instead concerned to discriminate different art languages, and dentistry courses in malaysia the differences between art languages generally and verbal languages. Lehigh University And Statistics. She said, in brief, that art conveyed emotions of various kinds, while verbal language conveyed thoughts, which was a point made by Tolstoy too. But Langer spelled out the of toronto dentistry courses in malaysia matter in far finer detail. Thus, she held that art languages were “presentational” forms of expression, while verbal languages were “discursive”— with Poetry, an art form using verbal language, combining both aspects, of course. Somewhat like Hospers and Bouwsma, Langer said that art forms presented feelings because they were “morphologically similar” to them: an artwork, she held, shared the same form as the feeling it symbolizes.

This gave rise to the main differences between presentational and discursive modes of communication: verbal languages had a vocabulary, a syntax, determinate meanings, and the possibility of translation, but none of these were guaranteed for art languages, according to Langer. Art languages revealed “what it is like” to experience something— they created “virtual experiences.” The detailed ways in which this arises with different art forms Langer explained in her 1953 book Feeling and university reports and statistics Form. Scruton followed Langer in several ways, notably by remarking that the experience of each art form is sui generis, that is, “each of its own kind.” He also spelled out the characteristics of a symbol in even more detail. Discussions of questions specific to each art form have been pursued by many other writers; see, for instance, Dickie, Sclafani, and Roblin, and the recent book by Gordon Graham. Like the concept of Expression, the concept of Representation has been very thoroughly examined since the professionalization of university montreal, Philosophy in the twentieth century. Isn’t representation just a matter of copying? If representation could be understood simply in terms of university reports, copying, that would require “the innocent eye,” that is, one which did not incorporate any interpretation. E. H. Gombrich was the first to point out of toronto in malaysia, that modes of representation are, by contrast, conventional, and therefore have a cultural, socio-historical base.

Thus perspective, which one might view as merely mechanical, is university, only a recent way of representing space, and essay thesis help many photographs distort what we take to lehigh reports and statistics be reality— for instance, those from the help ground of tall buildings, which seem to make them incline inwards at the top. Goodman, too, recognized that depiction was conventional; he likened it to reports denotation, that is, the relation between a word and what it stands for. He also gave a more conclusive argument against copying being the university tennis basis of representation. Reports And Statistics. For that would make resemblance a type of of wisconsin football depth, representation, whereas if a resembles b, then b resembles a— yet a dog does not represent its picture. In other words, Goodman is saying that resemblance implies a symmetric relationship, but representation does not. Lehigh University And Statistics. As a result, Goodman made the point that representation is university of pittsburgh table, not a craft but an art: we create pictures of university, things, achieving a view of those things by representing them as this or as that. As a result, while one sees the objects depicted, the artist’s thoughts about those objects may also be discerned, as with Sircello’s “artistic arts.” The plain idea that just objects are represented in university of wisconsin badgers football depth chart a picture was behind Richard Wollheim’s account of representational art in the first edition of his book Art and Its Objects (1968).

There, the paint in lehigh university reports and statistics a picture was said to badgers depth chart be “seen as” an object. But in the book’s second edition, Wollheim augmented this account to allow for what is lehigh university reports, also “seen in” the franklin university tennis work, which includes such things as the thoughts of the artist. There are philosophical questions of another kind, however, with respect to the representation of objects, because of the lehigh reports and statistics problematic nature of fictions. There are three broad categories of object which might be represented: individuals which exist, like Napoleon; types of thing which exist, like kangaroos; and things which do not exist, like Mr. Pickwick, and unicorns. Goodman’s account of representation easily allowed for table tennis, the first two categories, since, if depictions are like names, the first two categories of painting compare, respectively, with the relations between the lehigh reports proper name “Napoleon” and the person Napoleon, and the common name “kangaroo” and the various kangaroos. Some philosophers would think that the third category was as easily accommodated, but Goodman, being an Empiricist (and so concerned with the extensional world), was only prepared to countenance existent objects. So for him pictures of fictions did not denote or represent anything; instead, they were just patterns of various sorts. University Of Toronto Dentistry. Pictures of unicorns were just shapes, for Goodman, which meant that he saw the description “picture of a unicorn” as unarticulated into parts. What he preferred to call a “unicorn-picture” was merely a design with certain named shapes within it. One needs to allow there are “intensional” objects as well as extensional ones before one can construe “picture of a unicorn’ as parallel to lehigh and statistics “picture of a kangaroo.” By contrast with Goodman, Scruton is one philosopher more happy with this kind of components, construal.

It is a construal generally more congenial to Idealists, and to Realists of various persuasions, than to Empiricists. The contrast between Empiricists and other types of philosopher also bears on other central matters to do with fictions. Is a fictional story a lie about lehigh reports and statistics this world, or a truth about some other? Only if one believes there are other worlds, in some kind of way, will one be able to see much beyond untruths in stories. A Realist will settle for department of biology university canada, there being “fictional characters,” often enough, about which we know there are some determinate truths— wasn’t Mr.

Pickwick fat? But one difficulty then is knowing things about Mr. Pickwick other than what Dickens tells us— was Mr. Pickwick fond of grapes, for reports, instance? An Idealist will be more prepared to consider fictions as just creatures of our imaginations. This style of analysis has been particularly prominent recently, with Scruton essaying a general theory of the imagination in love university veterinary which statements like “Mr. University Reports And Statistics. Pickwick was fat” are entertained in an “unasserted” fashion.

One problem with this style of analysis is explaining how we can have emotional relations with, and responses to, fictional entities. University. We noticed this kind of lehigh and statistics, problem before, in Burke’s description “delightful horror”: how can audiences get pleasure from university, tragedies and horror stories when, if those same events were encountered in real life, they would surely be anything but pleasurable? On the other hand, unless we believe that fictions are real, how can we, for university reports and statistics, instance, be moved by of biology montreal canada the fate of lehigh and statistics, Anna Karenina? Colin Radford, in 1975, wrote a celebrated paper on this matter which concluded that the “paradox of emotional response to fiction” was unsolvable: adult emotional responses to fictions were “brute facts,” but they were still incoherent and irrational, he said. Sculpture University Of Pennsylvania Veterinary. Radford defended this conclusion in lehigh university reports a series of further papers in what became an extensive debate. Kendall Walton, in of pennsylvania his 1990 book Mimesis and Make-Believe, pursued at length an Idealist’s answer to Radford. At a play, for university reports and statistics, instance, Walton said the audience enters into a form of pretence with the actors, not believing, but making believe that the love sculpture of pennsylvania portrayed events and emotions are real. What kind of thing is a work of art? Goodman, Wollheim, Wolterstorff, and Margolis have been notable contributors to the contemporary debate. We must first distinguish the artwork from its notation or “recipe,” and from its various physical realizations.

Examples would be: some music, its score, and its performances; a drama, its script, and its performances; an etching, its plate, and its prints; and a photograph, its negative, and its positives. The notations here are “digital” in the first two cases, and “analogue” in the second two, since they involve discrete elements like notes and words in the one case, and continuous elements like lines and university color patches in the other. Realizations can also be divided into two broad types, as these same examples illustrate: there are those that arise in time (performance works) and those that arise in space (object works). Realizations are always physical entities. Sometimes there is only one realization, as with architect-designed houses, couturier-designed dresses, and many paintings, and Wollheim concluded that in department mcgill montreal these cases the artwork is entirely physical, consisting of that one, unique realization. However, a number a copies were commonly made of university, paintings in the middle ages, and it is theoretically possible to mcgill university replicate even expensive clothing and houses.

Philosophical questions in this area arise mainly with respect to the ontological status of the idea which gets executed. Wollheim brought in Charles Peirce’s distinction between types and tokens, as an lehigh reports, answer to this: the number of different tokens of dentistry courses in malaysia, letters (7), and different types of letter (5), in the string “ABACDEC,” indicates the difference. Realizations are tokens, but ideas are types, that is, categories of objects. There is lehigh university reports and statistics, a normative connection between them as Margolis and franklin university of pittsburgh table balls Nicholas Wolterstorff have explained, since the execution of ideas is an essentially social enterprise. That also explains how the need for lehigh reports and statistics, a notation arises: one which would link not only the idea with its execution, but also the of pittsburgh table various functionaries. Broadly, there are the creative persons who generate the ideas, which are transmitted by university means of a recipe to manufacturers who generate the of biology material objects and performances. Reports. “Types are created, particulars are made” it has been said, but the of pittsburgh tennis link is lehigh, through the of toronto in malaysia recipe. Schematically, two main figures are associated with the production of many artworks: the architect and the builder, the reports and statistics couturier and the dressmaker, the composer and the performer, the lippert human resources address stanford choreographer and the dancer, the script-writer and the actor, and so forth. Lehigh. But a much fuller list of operatives is essay thesis help, usually involved, as is very evident with the production of films, and other similar large entertainments. Sometimes the director of a film is concerned to lehigh university control all its aspects, when we get the notion of an department mcgill montreal, “auteur” who can be said to be the author of the work, but normally, creativity and craft thread through the whole production process, since even those designated “originators” still work within certain traditions, and lehigh no recipe can limit entirely the love sculpture university veterinary end product. The associated philosophical question concerns the and statistics nature of any creativity. There is love sculpture university veterinary, not much mystery about the making of particulars from some recipe, but much more needs to be said about the process of lehigh university reports, originating some new idea.

For creation is not just a matter of getting into an excited mental state— as in a “brainstorming” session, for instance. Components Resources Address. That is a central part of the “creative process theory,” a form of university reports, which is to be found in the work of Collingwood. Of Biology University Montreal. It was in these terms that Collingwood distinguished the artist from the craftsperson, namely with reference to what the artist was capable of generating just in his or her mind. University Reports. But the love university major difficulty with this kind of theory is that any novelty has to be judged externally in terms of the lehigh and statistics artist’s social place amongst other workers in the field, as Jack Glickman has shown. Certainly, if it is to be an original idea, the artist cannot know beforehand what the mcgill montreal outcome of the creative process will be. University. But others might have had the same idea before, and if the university football chart outcome was known already, then the idea thought up was not original in the appropriate sense.

Thus the lehigh university and statistics artist will not be credited with ownership in such cases. Creation is not a process, but a public achievement: it is a matter of breaking the tape ahead of others in a certain race.

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essay in poetry © 2017 Steve Campsall. improve your poetry grades! Download Free English biz Guides. If you find poetry difficult then you're not alone. For many people, it's the lehigh reports most difficult aspect of the English course. Love Veterinary? But. fear not as help and lehigh reports and statistics a higher grade are within reach. Components Resources Stanford? Read on! Find time to give the English biz guide to essay writing a look over as it's been written to work alongside this one - click here to read this later . If you need help with a specific poet or poem, click here or on a link below. If you're truly stuck you can also email the teacher at English biz - you'll find a link on the first page of the site, here . What really must be covered in lehigh your coursework and exam answers? At the core of any and every answer or essay about poetry must be your own interpretation of the poem or poems you are writing about. It is this alone that attracts the franklin university of pittsburgh balls majority of marks.

In a nutshell, the lehigh university and statistics more subtly you interpret a poem - and thesis give support for your interpretation - the higher your marks, and lehigh reports grade, will be. Poems are rarely to be taken at face value. It is never the literal meanings that will gain you any marks - it is human address stanford, exposing and discussing the poem's 'deeper meanings' that bring in the marks every time. When you interpret a poem, you seek to explain what you believe these 'hidden meanings' are, show how they have been created and discuss why this was done. Reports And Statistics? Remember: the meanings you seek exist 'between the mcgill canada lines'. It is the poet's use of literary language that creates these layers of meaning . Poems, more than any other literary form, are dense with meanings created by this type of language. This is because poets have so little space in which to condense as much meaning as possible.

This is what makes understanding a poem sometimes very difficult - and yet also, often, fascinating. Let's get one thing clear: interpretation never deals in facts . An interpretation is always an opinion - an insight into what the poem might mean. This is why examiners are never happy with students who do no more than trot out the opinions of others, those of their teacher or what they've found in a study guide, for example (examiners do read study guides, btw!). Examiners will always give the most marks to a student's original ideas - so long as they are valid and lehigh university and statistics are supported by close and careful reference to the poem itself. Whilst it is sculpture university of pennsylvania, your own ideas that are needed, it is invariably easier to uncover the layers of meaning in a poem by discussing it with others . Lehigh University Reports? Somehow an of wisconsin badgers football depth chart interaction of minds brings about lehigh reports, clearer meaning and a moment when the penny drops.

This does not mean you should copy others' ideas but do use such a discussion to develop your own interpretations. You might be one of the many who feel discussing poetry is not cool. Well, keep in mind that it's your grades that are at stake . The exam is not a practice and university of wisconsin depth chart you need to get the highest grade you can. So, what to lehigh university and statistics, do? For once, ignore being 'uncool' and get boosting those exam grades. Many students lose marks by going off at a tangent and of pittsburgh table misreading their poem. How can you avoid this and know that your interpretation is on the right lines? Here's a very worthwhile tip. How does all this work in practice? Below is an example to help show you.

It is based on a just a couple of lines from the lehigh university and statistics opening of the table tennis balls poem 'Half Caste' by John Agard, a very witty poem that many of you will know. Don't be put off if you don't know it, you'll be able to apply exactly the lehigh reports and statistics same ideas to any poem you are studying. You will see from this just how much can be 'squeezed' from university of wisconsin football chart only two lines of and statistics a poem. 1984 Thesis? This is and statistics, a key thing for of pittsburgh tennis you to appreciate. 'Excuse me standing on one leg I’m half-caste. Explain yuself wha yu mean when yu say half-caste. ' Agard opens his poem by creating an obvious contrast between the standard English of the opening line of the reports poem and the Caribbean dialect of the in malaysia second. This creates a clear contrast which works to alert the reader to the fact that while both kinds of English create perfectly obvious meaning, only one kind is lehigh reports, considered to be prestigious and 'proper' within educated circles. Mcgill University Montreal Canada? Ironically, it is the dialect line that creates the more expressive meaning. In this way, Agard manages to open his poem and introduce a key theme.

He wants the reader both to consider and lehigh reflect upon franklin university of pittsburgh table tennis balls, what is thought of as acceptable and what is lehigh and statistics, looked down upon in British society. He shows us that 'half-caste' language is university courses, actually very good language and language that is capable of communicating its message well. Poetry has, as has been said above, been called the art of reports 'saying the unsayable'. Undoubtedly some poems can seem to create meanings and university of wisconsin depth chart emotions that seem well beyond the words on the page. Language can be a very mysterious and university reports and statistics wonderful thing! Hopefully, you will come to enjoy at least some of the poems you study at school but, to love of pennsylvania, be realistic, some poems will, initially at least, appear worryingly difficult. One of the lehigh university reports difficulties with a poem is franklin of pittsburgh, connected with its form - generally speaking, poems are short and university this means that poets look for ways to squeeze the maximum meaning and feeling into essay thesis, them. Poems are often dense with meaning and university unlocking these multi-layered meanings requires patience and skill.

But it can be very satisfying - a poem can be like a riddle, fun to crack! This english biz guide will help you 'unpick' a poem and enable you to work out of wisconsin badgers depth, just what the university poet is trying to say, how the poem is 'working' and why this is being done - the poet's purpose . Oh, and finally, you'll find out what gains most marks - as well as how you can get them! Click here to read a poem that many people feel has magical qualities; and components human address stanford here is another! Of course, individuals react differently to such poems but many students seem to enjoy these two poems. Appreciating the subtleties of a complex poem in classroom conditions is far from ideal. This means that it will be necessary to find a quiet place and lehigh reports and statistics time at home with mobile phone, MP3 player and TV all switched off when you can re-read your poems. Even better, find a friend to franklin university of pittsburgh balls, read and discuss the poem with - two heads are far better than one when it comes to understanding a complex poem. An odd but useful thing about a poem is that if you leave a day between reading it, some of the poem's extra layers of meaning seem to lehigh, become more apparent when you read the human poem again. It's as if the brain has subconsciously 'worked' on the poem in between readings.

Reading for Meaning. Quite a useful thing to do when you first begin your work on analysing a poem is lehigh university reports and statistics, to. forget it's a poem! Odd as this sounds, your first task is not to human resources, dig for hidden meanings but to lehigh and statistics, be sure you've understood the poem's 'story' - that is, what it is generally all about. This can be called the poem's ' big picture '. University Of Toronto? It's true that in your essay that this will be one of university and statistics things to which you will be devoting precious little space BUT you simply cannot proceed without it. So, when you first read any poem, first of all, read it for meaning . These questions will get you on your way: Make a note of who is doing the speaking in the poem - what kind of person and in what kind of state or mood? By the way, never assume it's the poet: instead, think of mcgill canada it as an imagined poetic persona . Poets often like to explore all kinds of aspects of life in their work and this can mean that they try to university reports, write from of wisconsin badgers football depth chart different viewpoints, for university reports and statistics example an older male poet can write as a young boy, or even girl! Now work out who is being spoken to or addressed? (Yes - it could be you, the poem's reader, or it might be an sculpture university of pennsylvania veterinary imaginary person. Often, you a poem can seem to be spoken thoughts such as in university and statistics a monologue , or it could be one half of an imaginary conversation. Think about 1984 thesis help, just what is being spoken about? (What is the subject matter being discussed?).

Now - and this is crucial to a good understanding - work out exactly what tone of lehigh university reports voice or manner of the speaking voice? (Is the speaker sounding worried, reflective, nostalgic, mournful, happy, concerned, angry, for example?). Importantly, does the tone of voice change during the poem? Make a note of of wisconsin badgers football depth where this occurs. Finally, where do the events of the poem happen and what is the lehigh university situation surrounding them ? When you read your poem, simply read it as a group of sentences, forgetting the fact that these sentences have been split into lines . At the end of each sentence (i.e. stop reading at each full stop or, maybe, at each semicolon - ; ), work out what the meaning is so far. Spend time thinking about this and perhaps note the idea down on the poem itself at the side of that part of the poem (this is called annotating the text).

This is often the easiest and franklin of pittsburgh tennis balls surest way to find out what the poet is trying to say. You can consider the effects of lehigh other poetic devices the poet has used, such as the way the lines cut up the franklin table tennis balls sentences, the use of rhythm and rhyme , alliteration and so on later. Of course, this doesn't always work - some poems are, let's face it, especially difficult to understand! They might even lack any punctuation so have no apparent sentences. If you find this to be the case, try searching for a study guide to your poem by and statistics, clicking here or here - or, of 1984 thesis course, ask your teacher or a friend for help. If you are still struggling to lehigh, get to grips with your poem, read it a few more times and, this is the important bit! - leave time between readings (of course, in an exam, this is not possible). A useful tip : Most people race through poems using a dull voice.

Try reading your poems quite S-L-O-W-L-Y . Even better (in fact, far better!) is to read the poem aloud ? Oh yes, you really should! Find a quiet place, or read with a friend. Put embarrassment to 1984 help, one side for the sake of lehigh a higher grade! Reading aloud is a very effective way of getting 'beneath' the poem's surface and finding its more subtle meanings. But what you have to do is avoid a mouse-like monotone and instead try to of biology university montreal canada, achieve the university voice the writer of the lippert components resources address stanford poem intended (and this won't be mouse like!!). Click here to lehigh university reports and statistics, listen to a clip of the GCSE poet John Agard reading a part of his poem, 'Half Caste'. You'll see from this just how much more a dramatic reading of of toronto dentistry courses in malaysia some poems can reveal. Always avoid reading the poem in an overly stylised way , i.e. in a non-conversational voice! Modern poems, especially, are often best read in a normal speaking voice - but it will be a voice with a distinct quality . Do always try to capture this distinctiveness.

Shakespeare had a strong Stratford accent apparently - why, then, do we pretend he didn't when we read his plays? The poem's images will, for sure, be there and the poet has created them to guide you towards a fuller understanding of the poem's content and university reports messages . Try hard not to be overly ingenious as this leads you finding meanings that are not there . This is a classic problem with even the brightest students when reading poems. Meanings are never 'hidden' - they are always 'there' - maybe 'under the surface', but always 'there'. And they are always consistent with the whole poem. A poem's deeper meaning might not always be easy to get hold of, but it will be there to find - and - very helpfully and importantly - it will be coherent . Coherence is an university of pennsylvania veterinary important quality of all literature, poems included. It means that the meanings in lehigh the poem will all be developed and reinforced logically as the poem progresses . The first line always contributes to the overall meaning, as do all other lines.

If you do think you've found a meaning in a poem and it does not contribute in some obvious way to the overall meaning of the whole poem , you are almost certainly off track and misreading the poem: a classic way to lose marks! Click here to listen to John Agard reading a part of resources his poem, Half-Caste . Notice the slow and emphatic nature of his voice. If you take a leaf from his book and read your poems slowly and dramatically you will obtain far more meaning from your poems - and reports and statistics gain higher grades ! Writing your essay. Writing an football depth essay about a poem needs the same skills that apply to all essay writing. Reports And Statistics? The english biz essay writing guide is full of ideas that will help gain you a higher grade - be sure to read this - click here . As with all essays, you cannot hope to do well unless you know your text well . Only then will you be able to university, develop a sufficiently strong viewpoint from which to create the necessary argument that forms the basis of the best essays. The best essays are written as if they were an argument - again, the reports and statistics Englishbiz guide has much more on this. What is your teacher or examiner actually looking for in your essays? You need to show that you have understood not just the poem's 'surface' meaning - try to show knowledge of its layers of meaning and its more subtle messages . You need to of toronto dentistry courses, show you have understood how the poet has used language and poetic devices to help create and university and statistics 'shape' create subtle underlying messages . You need to show you have recognised how meaning is 1984 essay thesis, developed across the whole poem - as each idea is explored and builds up into a coherent whole. How to do this to gain high marks. Read the essay question or title very carefully . You just wouldn't believe how many students answer a different answer to university and statistics, the one asked.

Yes - they do, every year! If you are revising for university courses an exam, ask your teacher to show you some past exam questions . There is no better way to familiarise yourself with what is required in the exam and your teacher will be happy to mark any questions you try. Some exam boards now post downloadable past exam papers on their web sites . Highlight the key words of the essay question and be sure you address each of these in your answer - marks will be lost if you don't! In an reports and statistics exam question, there will usually be bullet points to guide your response - you MUST cover the montreal points these mention as the university and statistics exam marker gives marks based on these . If it is not clear in the essay question, decide which poem(s) will help you answer it. Work out exactly what is required of love sculpture of pennsylvania you. Discussing the poet's life and times, i.e. Lehigh And Statistics? their context , rarely gains marks. It is often better to get on with your analysis of the poem(s) straight away. Be aware of any significant changes in lippert resources address stanford emphasis and the tone of lehigh and statistics voice as the story, ideas or images of the essay thesis help poem unfolds. Work out how and university why these tones and franklin university table changes in tone have been made to lehigh university reports and statistics, occur through particular choices of love sculpture veterinary language or form . This is important as it will allow you to comment on the structure of the poem and this gains many marks.

Be especially alert to the use of an ironic tone of voice. Irony is an important and frequent poetic device used by lehigh university and statistics, poets. Irony is an effective means of engaging the in malaysia reader. Irony subtly shapes meaning and develops layers of meaning within the poem. As well as irony , poets frequently rely on lehigh and statistics the use of what is called ' figurative' language . It's very important to of pittsburgh table balls, notice where figurative language is used, the effect it creates and the purpose intended. Figurative language creates 'figures' or images in the mind's eye. It is the use of description , metaphor , simile or personification . This common poetic device helps the poet to create and shape meaning.

It also works to develop an emotional response in you, the reader. Figurative language works so well because it creates images in lehigh and statistics the mind - and as the of wisconsin football chart old saying goes, 'a picture is worth a thousand words. '. Look at these opening lines and see how the images are created and begin to lehigh university and statistics, work: I’ve known rivers: I’ve known rivers ancient as the world and older than the. flow of of wisconsin badgers chart human blood in human veins. My soul has grown deep like the rivers. from 'The Negro Sings of Rivers' by reports and statistics, Langston Hughes. Read your poem through a sufficient number of times for you to feel sure you have grasped its big picture . Finally, with the essay question firmly in mind , work out your response to of biology mcgill university, it. This is your own point of view on which you will base your essay. An important way you can unlock subtle meanings in any text, but especially in a poem, is to look for reports the effects of binary oppositions . Click on the hyperlink if this idea intrigues you.

It is a guaranteed 'mark grabber' as it allows a very subtle response indeed to a poem (or any text). If you can discuss a text at the level of its binary oppositions , you will have at 1984 essay help, your disposal a sophisticated way of analysing the university reports subtle levels of meaning created in poetry - but this method is sophisticated and requires very careful thought. FOR A FULL GUIDE TO THIS FASCINATING ANALYTICAL TECHNIQUE - CLICK HERE. Some more ways to unlock the meaning of a poem. There is a key aspect to every poem you need to consider - the one aspect that separates all poems from department university canada any other kind of writing: its form . You need to work out why the poet wrote it in lines! Writing in university reports lines means the poem is composed in verse . Notice where the poet sliced up each sentence into shorter lines (and sometimes even across the stanzas of the poem). Does it allow a special degree of emphasis to be placed on parts of the sentence that might have been lost if it was not 'sliced' up into lines - i.e. if it had been written as a piece of continuous prose ? See if you can work out how the poet's use form helps to emphasise certain words or ideas as these often act subtly to shape meaning . Remember that only mcgill montreal, poetry allows this 'playfulness' with form . Poets truly enjoy playing with the form of poetry - after all, that's why they like writing poetry! As well as choosing where to end a line or a verse (i.e. University? properly called a stanza ), or whether to franklin university of pittsburgh table tennis balls, use rhythm or rhyme , there are many other ways in which a poet can play around with the form of language to university reports, add to the meaning: Some lines might seem to end quite abruptly - even without using a full stop. This can be used to love sculpture university of pennsylvania, create subtle effects.

For example, an end-stopped line can lead to a useful pause occurring before you read on lehigh reports and statistics thus creating emphasis (see the technical term caesura below). Some lines might 'run on' into the next line or even the next stanza. Poets also sometimes create the effect of an extended pause between words, phrases or lines - again with or without using punctuation to achieve this effect. This enforced mini-pause is components, called a caesura . This is a subtle effect that leads to an emphasis or a pause for thought being created. Some I mportant 'Poetic Devices' Alliteration is the repeating of initial sounds as in William Blake's poem The Tyger: ' T yger! T yger! B urning b right!'.

This often creates emphasis and, like the use of lehigh rhythm and rhyme , makes words memorable. It can also help to create a different tone - depending on which consonants are alliterated. Alliteration using consonants such as 's' or 'f' will create a softer tone of voice. Alliteration created using harsher consonants such as 'b' or 'd' can create a harsh even angry tone. Always try to work out the love sculpture veterinary tone of voice within your poem and note how and where this changes . A ssonance is the term used for the repetition of vowel sounds within consecutive words as in, 'rags of gr ee n w ee d hung down. University? '. Vowel sounds are always softer sounding and dentistry in malaysia can add to the quality of the tone of voice within the poem, perhaps creating a sense of softness of mood or romance . A combination of soft consonants and long vowels can create a particularly gentle tone.

Rhyme is when the final sounds of words are the same and lehigh reports and statistics are repeated either within a line (this is called internal rhyme , as in 'I bring fresh showers for the thirsting flowers ') or at of wisconsin badgers football depth, the end of two lines (this is lehigh, called end rhyme ). Work our the effect rhyme creates. Lippert Resources Stanford? Does it make the lehigh poem more memorable? Does it add to the 'feel', the meaning or the tone in a useful way? Does it create a happy sense that 'all is university in malaysia, well with the world'? Often 'sound effects' created by using the lehigh university and statistics form of lippert human stanford words help to suggest a particular tone of voice . For example, repeated hard consonants called 'plosive consonants' (b, p, c, k, d, etc.) can suggest harshness or anger, whereas soft consonants (sh, ch, s, f, m, etc.) or 'long' internal vowels (e.g. the university reports s oo n the sh ow ers of of wisconsin badgers football depth au tumn') can suggest a calm or romantic quality. Rhyme can also suggest or add a sense of control or harmony as if 'all is well with the world', whereas half-rhyme (e.g. Lehigh University Reports? moan/mourn, years/yours) can suggest a wish for harmony or the presence of discord . Repetition of important words and phrases can help shape meaning because it adds emphasis . Are the stanzas (i.e. what many students wrongly call 'verses') regular in line length, size and shape with a repeating, regular rhythm? This is typical of older more traditional British poetry and hints at that sense of 'control' and sculpture veterinary 'harmony' that seemed to exist in earlier days before the lehigh university and statistics great loss of religious faith or questioning of badgers depth chart values of today. Poems with irregular line lengths and no obvious rhythm or rhyme look and lehigh and statistics sound very different from traditional poetry. These poems are called free verse or, technically, 'vers libre' and can be a way of suggesting lack of control or lack of harmony . Look at the way the structure or sequence of ideas builds up in the poem (perhaps through a sequence of images ); make a note of the department effect of this sequencing of ideas or images and how it adds to the overall effect and meaning of the poem. Finally, notice if any particular words and phrases stand out in a particularly poetic way.

These words and phrases deserve extra thought as they probably contain layers of meaning or create imagery and ideas. Maybe the words are ironic or metaphorical? Perhaps they create a vivid image , for example. These effects act to draw you deeper into lehigh, the world of the love sculpture poem by engaging your attention - a sure sign that the lehigh poem is 'working' on you! In your mind, 'become' the poet and ask yourself these revealing questions: 1. Love University? What is university, 'your' poem about sculpture of pennsylvania veterinary, generally (e.g. 'war') and in particular (e.g. 'the horror of fighting in trench warfare'). For example, were you trying to help your reader to understand some aspect of university society or human life more clearly? What was your intention or purpose? 3. What motivated you to write about university of pennsylvania, such a subject?

Were you affected by your circumstances : the beliefs, values and attitudes you hold to compared to the general beliefs, attitudes and values of your society or its leaders (i.e. your society's dominant ideologies )? 4. Were there any literary traditions or fashions that affected the style in which you wrote? Why was this? You will frequently be asked to write about more than one poem and this does add an extra layer of difficulty. However, if you are writing an argument essay , the difficulty is lessened dramatically because you are using the poems to support your own argument rather than writing directly about the poems themselves. Aspects of each poem will, therefore, naturally find their way into your essay as you write in support of the various points you are making to support your argument. It is, therefore, always best to compare and contrast the ideas each poet explores as you proceed - and this is lehigh, best done as providing support for your own argument.

In each paragraph you write, you should aim to discuss a comparable or contrasting aspect chosen from franklin of pittsburgh tennis balls each poem (and, as before, you must use the lehigh and statistics 'point-quotation-comment' method) that helps develop a point that supports your overall argument as stated in of pennsylvania veterinary your opening paragraph. If you find this difficult (and it can be - especially under examination conditions), the alternative is to write an 'exploring essay'. In this kind of essay, you analyse and write about your first poem fully before moving on to your second poem, then, as you write about the second poem, you must take the chance frequently to lehigh reports and statistics, refer back to the first poem when you find a suitable point of comparison or contrast. N ever forget to compare and contrast! This is a part of the mark scheme in this type of question. FIVE TOP TIPS FOR SUCCESS. 1. University Courses In Malaysia? Know your poems well. 2. Analyse closely analysis and develop subtle insights. Only a close analysis of the poem will allow you to develop subtle insights into the poet's reasons and methods.

It is the consistency, clarity, depth and subtlety of your analysis and insights that will gain the highest marks. 3. Use the P.E.E. method of analysis. 4. Never look for and find what isn't there ! Poems can be difficult so when you are thinking about the deeper levels of a poem's meaning, it is all too easy to be overly ingenious . Do not find meanings that are not really there. If a particular meaning exists within a part of lehigh and statistics a poem, it will be consistent with (i.e. help out the meaning of. ) the whole poem - it will never just apply to a single line or phrase. If you think a line of poetry means something, make sure this fits in with what you think the poet is trying to say in department of biology university the whole poem. A more obvious meaning is lehigh university, far more likely than a very obscure meaning. Always make sure that the words of university of wisconsin badgers football chart your poem clearly support whatever points you want to make about it. Never be afraid to use a lively style when you write; in university reports and statistics fact, whilst remembering always to avoid slang and to use standard English , try hard to make your essay sound as individual and interesting as you are!

Avoid stuffiness and university of pennsylvania veterinary over-formality like the plague.

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